This lighting study explores how transparent and reflective objects respond to colour, direction and contrast. Rather than relying on traditional product styling, each composition is built around the way light passes through, catches and fractures across different surfaces, turning small objects into something more sculptural and atmospheric.

The crystal and glass forms were chosen for their ability to hold and redirect light in completely different ways. Saturated colour, controlled highlights and deep shadow were used to exaggerate texture, internal detail and edge definition, creating a series that feels experimental, polished and focused primarily on the behaviour of light itself.